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Mosaic "Sacrifice of Isaac" – Basilica of San Vitale (547 AD) The Sacrifice of Isaac by Caravaggio (1603), in the Baroque tenebrist manner The Binding of Isaac (Hebrew: עֲקֵידַת יִצְחַק , romanized: ʿAqēḏaṯ Yīṣḥaq), or simply "The Binding" (הָעֲקֵידָה , hāʿAqēḏā), is a story from chapter 22 of the Book of Genesis in the Hebrew Bible.
Moloch, Molech, or Molek [a] is a word which appears in the Hebrew Bible several times, primarily in the Book of Leviticus. The Bible strongly condemns practices that are associated with Moloch, which are heavily implied to include child sacrifice. [2] Traditionally, the name Moloch has been understood as referring to a Canaanite god. [3]
The story of Jephthah and his daughter is the subject of Lion Feuchtwanger's historical novel, Jefta und seine Tochter (1957), English translation, Jephta and His Daughter, also known as Jephthah and His Daughter, published 1958; In Hamlet, Polonius tells Hamlet "If you call me Jephthah, my lord, I have a daughter I love passing well."
Jephthah flees from his brothers to the "land of Tob". In Tob, Jephtha gatheres some men until his brothers want him back to fight against the Ammonites (Judges 11:3–11). The place may be the same as the one mentioned in 2 Samuel 10:6–8, named Ishtob (cf. Hebrew ish Tov). Some believe it should be translated "men of Tob", rather than "Ishtob".
Hercules vs. Moloch (Italian: Ercole contro Moloch, French: Hercule contre Moloch, also released as Conquest of Mycenae) is a 1963 Italian/French international co-production peplum film written and directed by Giorgio Ferroni and starring Gordon Scott. [3] [4] [5] The film reuses battle scenes from Ferroni's 1961 film The Trojan Horse.
She later tries to summon Beelzebub, but summons Moloch instead. Moloch is at first shocked by his shrunken state, but Azazel explains that there is an Anti-Demon barrier that reduces their power dramatically and turns them into small, cute, weakened animals. When Moloch demands a tribute for being summoned, Rinko presents him with curry.
Baal (/ ˈ b eɪ. əl, ˈ b ɑː. əl /), [6] [a] or Baʻal, [b] was a title and honorific meaning 'owner' or 'lord' in the Northwest Semitic languages spoken in the Levant during antiquity.
[2] [3] Staged performance of material based on biblical subjects was forbidden in Great Britain at the time the work was premiered. Handel's final masterpiece was presented at Covent Garden Theatre on 26 February 1752, with the composer conducting, and with a cast that included John Beard as Jephtha and two divas of the opera stage, Giulia ...