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The Apollo Belvedere (also called the Belvedere Apollo, Apollo of the Belvedere, or Pythian Apollo) [1] is a celebrated marble sculpture from classical antiquity.. The work has been dated to mid-way through the 2nd century A.D. and is considered to be a Roman copy of an original bronze statue created between 330 and 320 B.C. by the Greek sculptor Leochares. [2]
The Apollo Omphalos (Ancient Greek: Ἀπόλλων ἐπὶ τοῦ Ὀμφαλού) is an ancient Roman marble copy of a Greek original bronze sculpture in typical early Archaic period style, depicting Apollo, the Greek god of music, medicine, and prophecy.
Many famous statues by Greek masters were on display in and around the temple, including a marble statue of the god at the entrance and a statue of Apollo in the cella. [137] Melite (modern Mdina, Malta): A Temple of Apollo was built in the city in the 2nd century AD. Its remains were discovered in the 18th century, and many of its ...
The Temple of Apollo at Delphi was situated within a central area of the sanctuary, surrounded by the Theater, other sanctuaries to Gaia, Dionysus, and Neoptolemus, treasuries housing the offerings dedicated by major Greek polis', and several other statues, stoa, and altars. [4]
The Mantiklos "Apollo" is an ancient Greek sculpture from the early Archaic period. The sculpture dates to about 700-675 B.C from Thebes and measures 20.3 cm tall. It is on display at the Museum of Fine Arts, Boston .
The temple contained three cult statues: one of Apollo in the "Apollo Citharoedus" ('lyre-playing Apollo') type, one of his sister Diana, and one of their mother Latona. A further statue of Apollo was situated in front of the temple. The cult statues were the work of Greek sculptors of the fourth century BCE: that of Apollo was made by Scopas. [91]
Apollo Sauroktonos (Attic Greek: Άπόλλων Σαυροκτόνος) (Apollo Lizard-killer) is the title of several 1st – 2nd century AD Roman marble copies of an original by the ancient Greek sculptor Praxiteles. The statues depict a nude adolescent Apollo about to catch a lizard climbing up a tree.
Today the formal patterns of classical Greek sculpture, its humanism and emphasis on the nude have found a new way to impress society, influencing the conception of beauty and practices regarding the body, resurrecting a cultivation of the physical that was born with the Greeks and influences various customs related to sexuality and the concept ...