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The following diagram illustrates this kind of short octave: In stringed instruments like the harpsichord, the short octave system created a defect: the strings which were tuned to mismatch their keyboard notes were in general too short to sound the reassigned note with good tone quality.
The first music written specifically for solo harpsichord was published around the early 16th century. Composers who wrote solo harpsichord music were numerous during the whole Baroque era in European countries including Italy, Germany, England and France. Solo harpsichord compositions included dance suites, fantasias, and fugues.
J.S. Bach: Goldberg Variations is a live solo classical album by American jazz pianist Keith Jarrett recorded at the Yatsugatake Kohgen Ongakudoh in Japan over three days in January 1989 and released on the ECM New Series later that year, consisting a complete performance of Johann Sebastian Bach's Goldberg Variations on harpsichord.
Jean-Philippe Rameau, by Joseph Aved, 1728. The French Baroque composer Jean-Philippe Rameau wrote three books of Pièces de clavecin for the harpsichord.The first, Premier Livre de Pièces de Clavecin, was published in 1706; the second, Pièces de Clavessin, in 1724; and the third, Nouvelles Suites de Pièces de Clavecin, in 1726 or 1727.
What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going ...
The Triple Concerto, BWV 1044, is a concerto in A minor for traverso, violin, harpsichord, and string orchestra by Johann Sebastian Bach.He based the composition on his Prelude and Fugue BWV 894 for harpsichord and on the middle movement of his Organ Sonata BWV 527, or on earlier lost models for these compositions.
Diagram of basic harpsichord mechanism in English: Source: Own work: Author: Original by Nojhan, English captions and other edits by Jeff Dahl: Other versions: Numbered version: Image:Clavecin mecanisme.svg
HPSCHD premiered before an audience of 6000 on May 16, 1969, at the Assembly Hall of Urbana Campus, University of Illinois. Conceived as a highly immersive multimedia experience, the performance featured David Tudor, Antoinette Vischer, William Brooks, Ronald Peters, YĆ«ji Takahashi, Neely Bruce and Philip Corner playing harpsichords whose sounds were captured and amplified, 208 tapes playing ...