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A longma (lower left corner) on a rubbing from the Wu Liang shrines' reliefs. Longma or "dragon horse" connects with other creatures in Chinese folklore.While longma sometimes applies to the Qilin, [13] the closest relative is the legendary tianma 天馬 "heavenly horse" or the "Chinese Pegasus", which was metaphorically identified with the hanxuema 汗血馬 "blood-sweating horse" or Ferghana ...
The golden statues at the Rua Yai City Pillar Shrine. Bai Longma is worshipped as a deity in Chinese folk religion.Located in Rua Yai, Mueang Suphan Buri District, Suphan Buri, Thailand, the City Pillar Shrine (ศาลเจ้าพ่อหลักเมืองสุพรรณบุรี) enshrines the golden statue of Bai Longma, along with Tang Sanzang, Sun Wukong, Zhu Bajie, and ...
Horses are real creatures, of the family Equidae—quick-paced, hoofed quadrupeds, existing now and historically, in China, among other places. Many breeds have been used or developed for food, transportation, and for military power for thousands of years, in the area of China, and elsewhere, as well as sometimes being loved or cherished, as pets companions, or inspirations for art.
Longma, emerged from the Luo River and revealed bagua to Fu Xi; Some additional Chinese dragons are not named long, for instance, Hong, a two-headed dragon or rainbow serpent; Shen, a shapeshifting dragon or sea monster believed to create mirages; Bashe was a giant python-like dragon that ate elephants; Teng is a flying dragon without legs
Beginning around the 3rd century BCE, Chinese classics mention Bole, a mythological horse-tamer, as an exemplar of horse judging. Bole is frequently associated with the fabled qianlima (Chinese: 千里馬) "thousand-miles horse", which was supposedly able to gallop one thousand li (approximately 400 km) in a single day (e.g. Red Hare, sweats blood horse).
The full title of the work is The Mirror of the Simple Souls Who Are Annihilated and Remain Only in Will and Desire of Love. The meditations were originally written in the Picard dialect of Old French [2] and explore in poetry and prose the seven stages of "annihilation" that the Soul goes through on its path to Oneness with God through love.
Tang Sanzang is modeled after the historical Tang dynasty Buddhist monk Xuanzang, whose life was the book's inspiration; the real Xuanzang made a perilous journey on foot from China to India (and back) to obtain Buddhist sutras.
Portrait of the playwright, Tang Xianzu The first page of Tang Xianzu's preface to The Return of the Soul at the Peony Pavilion. The Peony Pavilion (Chinese: 牡丹亭; pinyin: Mǔdān tíng; Wade–Giles: Mu-tan t'ing), also named The Return of Soul at the Peony Pavilion, is a romantic tragicomedy play written by dramatist Tang Xianzu in 1598.