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The result tends to be stronger for its weight than a simple or looped string, and holds together better than a simple string. Unlike some looped strings, the full thickness of the string passes around the nocks on the ends of the bow, where wear is usually greatest. Additional threads may also be laid in at the nocking points for the bow stave ...
The strings play col legno, striking the wood of their bows on the strings, in addition to numerous other techniques (Boyden 2001). François-Adrien Boieldieu; Le calife de Bagdad (opera, 1800), strings play col legno (Favre and Betzwieser 2001). Benjamin Britten; Passacaglia from Peter Grimes, rehearsal 6, "agitato", (pp. 16–17 of the score).
The Byzantine lyra or lira (Greek: λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire.In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with the fingertips and fingernails.
The bow can be held vertically and the screw of the bow placed firmly against a string either at the location of a fingered note or at some other point. The string can then be plucked with the right hand and the screw of the bow can be simultaneously dragged up or down the string. The effect of this is to produce a quiet rising or falling ping.
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of bowing, the origin of bowing remains unknown.
The musical bow (bowstring or string bow, a subset of bar zithers) is a simple string instrument used by a number of African peoples as well as Indigenous peoples of the Americas. [1] It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal.