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The term is often used to refer specifically to mishearings of song lyrics (cf. soramimi). Onomatopoeia: a word or a grouping of words that imitates the sound it is describing; Phonetic reversal; Rhyme: a repetition of identical or similar sounds in two or more different words Alliteration: matching consonants sounds at the beginning of words
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
Alliteration essentially involves matching the left edges of stressed syllables. Early Germanic languages share a left-prominent prosodic pattern. In other words, stress falls on the root syllable of a word, which is normally the initial syllable (except where the root is preceded by an unstressed prefix, as in past participles, for example).
Another example of consonance is the word "sibilance" itself. Consonance is an element of half-rhyme poetic format, sometimes called "slant rhyme". It is common in hip-hop music, as for example in the song Zealots by the Fugees: "Rap rejects my tape deck, ejects projectile/Whether Jew or gentile I rank top percentile."
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
Roaring Lion achieved fame for his linguistic prowess as much as for his catchy tunes. His lyrics, delivered in rapid-fire style, show an impeccable command of the English language (as well as Trinidadian English Creole), and are replete with witty turns of phrase, humorous metaphors, and clever alliteration and internal rhymes.
It is found in a manuscript from the thirteenth century (Douce 139) containing mostly legal writings, and is accompanied by a musical score for two voices. [1] The poem, which features both rhyme and alliteration, [2] is one of a relatively small number of lyric poems from that century, and the only one with music. It is not entirely clear ...
The Elements" is a 1959 song with lyrics by musical humorist, mathematician and lecturer Tom Lehrer, which recites the names of all the chemical elements known at the time of writing, up to number 102, nobelium. Lehrer arranged the music of the song from the tune of the "Major-General's Song" from The Pirates of Penzance by Gilbert and Sullivan ...