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The same segment of Sousa tune is sometimes employed for club-specific football chants (for example Plymouth Argyle supporters regularly sing "Ar-guy-ull, ar-guy-ull, ar-guy-ull") and as a vehicle for exhortations to the players (a team that has scored three goals might be encouraged to "give us four" etc.), an impromptu observation on the on-field action ("send him off") or a taunt ("you're ...
"Here We Go" was very successful in Europe, charting in several countries and peaking at number four in Sweden. The artist and song was compared by many music critics to English hip hop / electronic dance group Stereo MC's , and the accompanying music video was played frequently on music channels such as MTV Europe .
Tim DiGravina, writing for AllMusic, gave the album a 3.5/5 rating, saying "There's a lot to admire in Here We Go Magic's dreamy, hazy melodies, and it's easy to get lost in the repetitive, minimalist guitar strumming that centers half of the tracks". [3]
"Here We Go" is a song recorded by American boy band NSYNC for their self-titled debut album (1997). It was released as the third single from the album on May 5, 1997, by Trans Continental Records and BMG Ariola. The song was written and produced by Bülent Aris and Toni Cottura.
"Where Do We Go from Here" (Deborah Cox song), 1996 "Where Do We Go from Here" (Filter song), 2002 "Where Do We Go from Here" (Hank Smith song), 1971 "Where Do We Go from Here" (Stacy Lattisaw song), 1989 "Where Do We Go from Here" (Vanessa Williams song), 1996 "Where Do We Go from Here", by Alicia Keys from As I Am, 2007
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in