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  2. Here We Go (football chant) - Wikipedia

    en.wikipedia.org/wiki/Here_We_Go_(football_chant)

    The same segment of Sousa tune is sometimes employed for club-specific football chants (for example Plymouth Argyle supporters regularly sing "Ar-guy-ull, ar-guy-ull, ar-guy-ull") and as a vehicle for exhortations to the players (a team that has scored three goals might be encouraged to "give us four" etc.), an impromptu observation on the on-field action ("send him off") or a taunt ("you're ...

  3. Here We Go - Wikipedia

    en.wikipedia.org/wiki/Here_We_Go

    "Here We Go Yo," a 2006 song by Hector "El Father" and Jay-Z from the album Los Rompe Discotekas (2006) "Here We Go" (Stat Quo song), 2007 "Here We Go", a 2012 song by Hard Rock Sofa and Swanky Tunes "Here We Go" (PeR song), 2013 "Here We Go", a 2014 song by Lower Than Atlantis from the album Lower Than Atlantis "Here We Go (Uh Oh)" a 2024 song ...

  4. Here We Go (NSYNC song) - Wikipedia

    en.wikipedia.org/wiki/Here_We_Go_(NSYNC_song)

    "Here We Go" is a song recorded by American boy band NSYNC for their self-titled debut album (1997). It was released as the third single from the album on May 5, 1997, by Trans Continental Records and BMG Ariola. The song was written and produced by Bülent Aris and Toni Cottura.

  5. Wowcher - Wikipedia

    en.wikipedia.org/wiki/Wowcher

    Founded in 2009 by Nicholas Brummitt and bought in 2011 by DMG Media, Wowcher currently has a user-base of roughly 10 million members. It is a deal of the day sales website similar to Groupon. [2] [3]

  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.