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"Twinkle, Twinkle, Little Star" is an English lullaby. The lyrics are from an early-19th-century English poem written by Jane Taylor, "The Star". [1] The poem, which is in couplet form, was first published in 1806 in Rhymes for the Nursery, a collection of poems by Taylor and her sister Ann.
Sacred Harp and Related Shape-Note Music Resources – an extensive site of resources concerning Sacred Harp, other Shape-Note music, Gallery music, etc. Singing with Sol-fa Syllables Archived 25 September 2004 at the Wayback Machine – article about singing schools and shape notes; The Shape of Music – book on teaching small children ...
But placed within the Easy Listening genre-i.e., elevator music-it becomes a historically grounded, if incredibly ambitious, release." [ 100 ] Although it has been called " baroque pop ", the often-specious term was not used in critical discussions about Pet Sounds until rock critics in the 1990s began adopting the phrase in reference to ...
The album contained the hit love song "Layla", inspired by the classical poet of Persian literature, Nizami Ganjavi's The Story of Layla and Majnun, a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, as it was the tale of a young man who fell hopelessly in love with a beautiful, unavailable woman and went crazy ...
The music in the final soundtrack was performed by the Green Brothers Novelty Band and was conducted by Carl Edouarde. Joe and Lew Green from the band also assisted in timing the music to the film. The first attempt to synchronize the recording with the film, done on September 15, 1928, was a disaster. [25]
In U.S. culture, despite its republican constitution and ideology, [4] royalist honorific nicknames have been used to describe leading figures in various areas of activity, such as industry, commerce, sports, and the media; father or mother have been used for innovators, and royal titles such as king and queen for dominant figures in a field.