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The largest gong is ogung boru boru (female gong) and the smaller one is called ogung jantan (male gong), while one smaller gong is called doal and three smaller gongs are named salempong or mong-mongan. Other equipment in Gordang Sambilan is a wind instrument made of bamboo called a sarune or saleot and a pair of small cymbals called a tali ...
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame.
It consists of a set of a double row of gong chimes known as the totobuang (similar to set of bonang gong chimes) and a set of tifa drums. It can also include a large gong. [1] The name comes from the instruments' collaboration. The ensemble can accompany the Maluku Island's Sawat Lenso dance. [2] [3]
By far the most familiar to most Westerners is the chau gong or bullseye gong. Large chau gongs, called tam-tams [7] have become part of the symphony orchestra. Sometimes a chau gong is referred to as a Chinese gong, but in fact, it is only one of many types of suspended gongs that are associated with China. A chau gong is made of copper-based ...
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The traditional dress of the Benteng people is a mixture of the Chinese traditional dress mostly of Hokkien heritage and the Betawi traditional dress. The males wear a black shirt and long pants with a traditional hat in conical shape. The female dress called 'hwa kun' is a blouse with headdress and veil.
Kendhang ageng, kendhang gede (krama/ngoko, similar to gong ageng in usage), or kendhang gendhing is the largest kendang, which usually has the deepest tone. It is played by itself in the kendhang satunggal (lit. "single drum") style, which is used for the most solemn or majestic pieces or parts of pieces.
The instruments are considerably smaller than those of the gong kebyar. Gamelan angklung is heard in Balinese temples, where it supplies musical accompaniment to temple anniversaries ( odalan ). It is also characteristic of rituals related to death ( pitra yadnya ), and is therefore connected in Balinese culture to the invisible spiritual realm ...