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Her debut album, Black Acid Soul, a further collaboration with Seefried, was released on 3 September 2021, with physical editions released on 28 January 2022. [8] The album bears a strong jazz influence and emphasis on pared-back vocals, with a number of covers and reinterpretations of songs from the 1960s and 70s.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
Wilton Jameson "Jamey" Aebersold (born July 21, 1939) is an American publisher, educator, and jazz saxophonist. His Play-A-Long series of instructional books and CDs, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. [1]
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Play ⓘ. Conventional progression or cadence without tritone substitution, i.e., NOT Tadd Dameron turnaround. Play ⓘ. In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom", [1] derived from a typical I−vi−ii−V turnaround through the application of tritone substitution of all but the first chord, thus yielding, in C major:
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Augustus Owsley Stanley III (January 19, 1935 – March 12, 2011) was an American-Australian audio engineer and clandestine chemist.He was a key figure in the San Francisco Bay Area hippie movement during the 1960s and played a pivotal role in the decade's counterculture.
Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, [ 1 ] and released in 1948. [ 2 ] Featuring, "a suave, mellow theme ," [ 3 ] it is the origin of the Tadd Dameron turnaround (in C: CM 7 E ♭ 7 A ♭ M 7 D ♭ 7 CM 7 ). [ 4 ]