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"Purple Haze" is a song written by Jimi Hendrix and released as the second single by the Jimi Hendrix Experience on March 17, 1967, in the United Kingdom. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques.
Kronos Quartet is a studio album by the Kronos Quartet, the first of their albums on Nonesuch Records.It contains compositions by Australian composer Peter Sculthorpe, Finnish composer Aulis Sallinen, American composer Philip Glass, and American/Mexican composer Conlon Nancarrow.
"Purple Haze" is a song by English electronic music duo Groove Armada, taken from their fourth studio album, Lovebox (2002). The song contains elements from "April, Spring, Summers and Wednesdays", performed by English rock band Status Quo. Released on 21 October 2002, "Purple Haze" reached number 36 on the UK Singles Chart and number 38 in Italy.
The second Experience single, "Purple Haze"/"51st Anniversary", was released on March 1. [69] It entered the UK singles chart on the 23rd, peaking at number three. [ 70 ] During that month, the band took another long break from recording while they played gigs in Belgium, Germany, and the UK, including appearances on the UK television show Dee ...
Blue Wild Angel: Live at the Isle of Wight is a posthumous live album by Jimi Hendrix released on November 12, 2002. The album documents Hendrix's last U.K. live performance at the Isle of Wight Festival on August 31, 1970, three weeks before his death.
Since Hendrix was obligated to supply an album of new material, the set lists for the Fillmore East shows contained mostly new songs. Although songs such as "Lover Man", "Hear My Train A Comin'", and "Bleeding Heart" had often been played by the Jimi Hendrix Experience, they had not been issued on record.
Stone Free: A Tribute to Jimi Hendrix is a 1993 album recorded by various artists in tribute to Jimi Hendrix.The artists were drawn from many genres of popular music. Contributors include his classic rock contemporaries Eric Clapton and Jeff Beck, blues man Buddy Guy, classical violinist Nigel Kennedy, alternative pop/rock bands Belly and Spin Doctors, hip hop artists P. M. Dawn, among o
Perhaps the most striking use of the interval in rock music of the late 1960s can be found in Jimi Hendrix's song "Purple Haze". According to Dave Moskowitz (2010, p. 12), Hendrix "ripped into 'Purple Haze' by beginning the song with the sinister sounding tritone interval creating an opening dissonance, long described as 'The Devil in Music'."