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There are four basic types of highlights: foil highlights, hair painting, frosting, and chunking. Highlights can be any color, as long as it is a lighter level than the surrounding hair. Hair lightened with bleach or permanent color will be permanent until new growth begins to show. Highlighted hair can make the hair appear fuller.
A few gray and white hairs will blend in visually, but semi-permanent dye alone will not usually give the desired result where there is a lot of gray or white hair present. Sometimes a mixture of dyes is used while hair is greying: semi-permanent as a base color, with permanent highlights. Semi-permanent hair color cannot lighten hair. [23]
A single overall colour underlies the image and is most apparent in the highlights and mid-tones. From the 1870s albumen printing papers were available in pale pink or blue, and from the 1890s gelatine-silver printing-out papers in pale mauve or pink were available. There were other kinds of tinted papers as well.
The Joly screen process had some problems. First and foremost, although the colored lines were reasonably fine (about 75 sets of three colored lines to the inch) they were still disturbingly visible at normal viewing distances and nearly intolerable when enlarged by projection.
Wire-Photos are in wide use in Europe by 1910, and transmitted to other continents by 1922. 1907 – The Autochrome plate is introduced. It becomes the first commercially successful color photography product. 1908 – Kinemacolor, a two-color process known as the first commercial "natural color" system for movies, is introduced.
A sketch colored digitally with use of several different blend modes in order to preserve the pencil lines and paper texture below the color layers. Blend modes (alternatively blending modes [ 1 ] or mixing modes [ 2 ] ) in digital image editing and computer graphics are used to determine how two layers are blended with each other.
Photochrom, Fotochrom, Photochrome [Note 1] [2] or the Aäc process [citation needed] is a process of hand-colouring photographs from a single black-and-white negative with subsequent photographic transfer onto lithographic printing plates. The process is a photographic variant of chromolithography (color lithography).
In Lippmann's method, a glass plate is coated with an ultra fine grain [6] light-sensitive film (originally using the albumen process containing potassium bromide; later and primarily using silver halide gelatin), [7] then dried, sensitized in the silver bath, washed, irrigated with cyanine solution, and dried again. The back of the film is ...
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