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"Dub-I-Dub" is the debut single by Danish Eurodance duo Me & My, released in August 1995 from their eponymous album (1995). It was successful on the charts in many countries, peaking at number-one in Denmark and Japan, [1] and being a top 10 hit in Belgium, Hungary, Iceland, Israel, Italy, Mexico, Russia, Spain and Sweden.
"Creeping in My Soul" is a song by Danish rock band Cryoshell, released as the second single from their self-titled debut studio album on November 29, 2009. Written by Mikkel Maltha and Anthony Lledo , the song was recorded in 2009 and produced by Jacob Hansen.
In November 2024, Drake initiated a legal petition against UMG and Spotify in the U.S., alleging they conspired to artificially inflate the number of streams of the diss track "Not Like Us" by Kendrick Lamar on the service during Drake's feud with Lamar earlier that year by implementing pay-to-play, malicious bots, and other tactics. [23]
Buhloone is a phonetic spelling of the English noun "balloon". Posdnous described the title as meaning "we're popular but not trying to make pop music." [1] This theme is laid out in the intro track, which starts with the sound of a balloon being inflated; then the hookline "it might blow up, but it won't go pop" is repeated over and over, until the sound of a balloon popping replaces the ...
In its unfinished form, "Playing for Time" was performed on Back to Front Tour from 2012 to 2014, opening almost all shows. Gabriel first performed the song on 7 September 2012 in Quebec during rehearsals for the Back to Front Tour. [5] At that time, these performances lacked proper lyrics and only included piano and upright bass instrumentation.
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And Now the Legacy Begins is the debut album by Canadian hip hop duo Dream Warriors. [1] It was released on April 23, 1991, by 4th & B'way Records, with an international release through Island Records. And Now the Legacy Begins is regarded as one of the finest alternative hip hop records of the golden era (1985–1995). [2]
"Not Like Us" is a "club-friendly" West Coast hip-hop track with strong hyphy stylings. [10]Several elements of its production, including the "stirring" violins, piano and brass instruments, were taken from samples of Monk Higgins's 1968 rendition of "I Believe to My Soul", a cover of Ray Charles's 1961 composition. [11]