Search results
Results From The WOW.Com Content Network
Tradeware ceramics in the Philippines consisted of Chinese, Thai, and Vietnamese porcelain. [1] The materials discovered can be identified as 70-75% Chinese, 22-25% Thai and 5-8% Vietnamese. The wares are named by their place of manufacture, individually by various popular terms and the period in which they were produced. [ 1 ]
Shiwan ware (Chinese: 石灣窯; pinyin: Shíwān yáo; Cantonese Jyutping: Sek6 waan1 jiu4) is Chinese pottery from kilns located in the Shiwanzhen Subdistrict of the provincial city of Foshan, near Guangzhou, Guangdong. It forms part of a larger group of wares from the coastal region known collectively as "Canton stonewares". [1]
Jingdezhen porcelain (Chinese: 景德镇陶瓷) is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China. Jingdezhen may have produced pottery as early as the sixth century CE, though it is named after the reign name of Emperor Zhenzong , in whose reign it became a major kiln site, around 1004.
Famille rose bowl, Imperial porcelain, Jingdezhen. Famille rose (French for "pink family") is a type of Chinese porcelain introduced in the 18th century and defined by pink overglaze enamel. It is a Western classification for Qing dynasty porcelain known in Chinese by various terms: fencai, ruancai, yangcai, and falangcai. [1]
New Hall porcelain; Plymouth Porcelain; Rockingham Pottery; Royal Crown Derby, (1750/57–present) Royal Doulton, (1815–2009 acquired by Fiskars) Royal Worcester, (1751–2008 acquired by Portmeirion Pottery) Spode, (1767–2008 acquired by Portmeirion Pottery) Saint James's Factory (or "Girl-in-a-Swing", 1750s) Swansea porcelain; Vauxhall ...
Early blue and white porcelain, c. 1351. The Mongol Yuan dynasty enforced the movement of artists of all sorts around the Mongol Empire, which in ceramics brought a major stylistic and technical influence from the Islamic world in the form of blue and white porcelain, with underglaze painting in cobalt.
Chinese blue-and-white ware were copied in Europe from the 16th century, with the faience blue-and-white technique called alla porcelana. Soon after the first experiments to reproduce the material of Chinese blue-and-white porcelain were made with Medici porcelain. These early works seem to be mixing influences from Islamic as well as Chinese ...
One strength is the collection of traditional Chinese and Japanese porcelain acquired by Augustus the Strong. Above all this includes blue-and-white porcelain from the Ming and Qing Dynasties , in particular the "Dragoon Vases" acquired by Augustus from King Frederick William I in exchange for a regiment of dragoons .