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Some would have played a "full-voiced" (thicker) style, for example (Exs. 8, 11) [86] [87] or an embellished style (Ex. 10). [88] No real Baroque-era musician could have managed the diversity of styles and idioms that flourished in different lands and at different times in the period, [26] concerning which specific knowledge is patchy. [89]
The style is related to improvisation but is characterised by the use of short contrasting episodes and a free form, just like a classical fantasia. Johann Mattheson , who was a German composer and theorist in the 17th century, presented his idea about the definition that Athanasius Kircher in his book, "Das beschutzte Orchestre" (1717), cited ...
Performance on period instruments is a key aspect of HIP, such as this baroque orchestra (Photo: Josetxu Obregón and the Spanish ensemble La Ritirata, 2013).. Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical ...
Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
Halting and subdued in nature, its performance should be highly expressive, and freed from slavish dependence on note values." [6] He also noted that the ornament is more effective when some of its notes are dissonant against the bass below it. [6] Bach concludes his discussion of the slide by noting two important points:
The siciliana [sitʃiˈljaːna] or siciliano (also known as sicilienne or ciciliano) is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow 6 8 or 12 8 time with lilting rhythms, making it somewhat resemble a slow jig or tarantella, and is usually in a minor key.
Purcell's orchestral music and keyboard music are, like Muffat's synthesis of the Italian and French style, a synthesis of the English and French style into a much more complex English style where the application of notes inégales to the music of Purcell and his contemporaries is essential to correct performance of the music.
Johann Joachim Quantz (German:; 30 January 1697 – 12 July 1773) was a German composer, flutist and flute maker of the late Baroque period.Much of his professional career was spent in the court of Frederick the Great, where he served as the king's flute teacher.