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The intended place for Christ Washing the Disciples' Feet was on the right side where now is Carlo Ridolfi's copy. The painting was created in 1548/1549 for a church in Venice. [1] The church of San Marcuola commissioned Christ Washing the Disciples' Feet as a companion piece to Tintoretto's Last Supper, which still
The painting depicts a scene from the Gospel of John in which it is narrated that at the Last Supper Jesus rose from the table, took off his cloak and tied a towel around his waist and began to wash his disciples' feet. Tintoretto depicts the moment when Simon Peter tries to refuse, but after being persuaded he agrees to wash his feet and even ...
Christ Washing the Disciples' Feet (Tintoretto) This page was last edited on 2 May 2024, at 04:53 (UTC). Text is available under the Creative Commons Attribution ...
The third major theme is the farewell of Jesus to his disciples, in which Judas Iscariot is no longer present, having left the supper. The depictions here are generally melancholy, as Jesus prepares his disciples for his departure. [1] There are also other, less frequently depicted scenes, such as the washing of the feet of the disciples. [96]
The formal introduction of the Beloved Disciple is a “stunningly apparent” stroke of "narrative genius", [30] for he is introduced immediately after Jesus demonstrates his love for the disciples in the act of washing the disciples' feet (John 13:1–20) and immediately before the commandment to “love one another just as I have loved you” .
A host would provide water for guests to wash their feet, provide a servant to wash the feet of the guests or even serve the guests by washing their feet. This is mentioned in several places in the Old Testament of the Bible (e.g. Genesis 18:4 ; 19:2 ; 24:32 ; 43:24 ; 1 Samuel 25:41 ; et al.), as well as other religious and historical documents.
Christ Washes the Disciples' Feet, circa 1547, 210 × 533 cm, Museo del Prado, Madrid; Portrait of Procurator Nicolò Priuli, circa 1547, 125 × 105 cm, Ca' d'Oro, Galleria Franchetti, Venice; Miracle of the Slave, 1548, 415 × 541 cm, Gallerie dell'Accademia, Venice; Saint Roch Healing Plague Victims, 1549, 307 × 673 cm, San Rocco, Venice
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