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Window in the north porch of St Nicholas, Blakeney. Jane Gray (1931 - 1 December 2024 [1]) was a British stained-glass artist. She trained at the Kingston School of Arts from 1949 to 1951, where she specialised in weaving and stained glass, and then studied at the Royal College of Art until 1955.
This type of wheel is powered by the spinner's foot rather than their hand or a motor. The spinner sits and pumps a foot treadle that turns the drive wheel via a crankshaft and a connecting rod. This leaves both hands free for drafting the fibres, which is necessary in the short draw spinning technique, which is often used on this type of wheel ...
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
The state of the art spinning wheel in England was known as the Jersey wheel however an alternative wheel, the Saxony wheel was a double band treadle spinning wheel where the spindle rotated faster than the traveller in a ratio of 8:6, drawing on both was done by the spinners fingers.
The stained-glass ceiling is a particular aspect of a broader trend of gender segregation and discrimination in religious communities, by use defined social roles and barriers typically justified by either tradition, dogma, or doctrine of the church group.