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Socratic dialogue (Ancient Greek: Σωκρατικὸς λόγος) is a genre of literary prose developed in Greece at the turn of the fourth century BC. The earliest ones are preserved in the works of Plato and Xenophon and all involve Socrates as the protagonist .
The Socratic method (also known as the method of Elenchus or Socratic debate) is a form of argumentative dialogue between individuals based on asking and answering questions. Socratic dialogues feature in many of the works of the ancient Greek philosopher Plato , where his teacher Socrates debates various philosophical issues with an ...
Aeschines and Socrates in Raphael's The School of Athens Pietro Testa's etching of the Symposium (1648). The Apotheosis of Homer (1827); The Death of Socrates (1787); Double Herm of Socrates and Seneca (3rd century AD)
The Socratic method of questioning, or elenchus, takes shape in dialogue using short questions and answers, epitomized by those Platonic texts in which Socrates and his interlocutors examine various aspects of an issue or an abstract meaning, usually relating to one of the virtues, and find themselves at an impasse, completely unable to define ...
The term dialogue stems from the Greek διάλογος (dialogos, ' conversation '); its roots are διά (dia, ' through ') and λόγος (logos, ' speech, reason '). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. [3] Latin took over the word as dialogus. [4]
Euthyphro (/ ˈ juː θ ɪ f r oʊ /; Ancient Greek: Εὐθύφρων, romanized: Euthyphrōn; c. 399–395 BC), by Plato, is a Socratic dialogue whose events occur in the weeks before the trial of Socrates (399 BC), between Socrates and Euthyphro. [1] The dialogue covers subjects such as the meaning of piety and justice.
The Socratic method of questioning, or elenchus, takes shape in dialogue using short questions and answers, epitomized by those Platonic texts in which Socrates and his interlocutors examine various aspects of an issue or an abstract meaning, usually relating to one of the virtues, and find themselves at an impasse, completely unable to define ...
According to John Burnet, Aeschines' style of presenting Socratic dialogue was closer to Plato's than Xenophon's. [3] Some modern scholars believe that Xenophon's writings are inspired almost entirely by Plato's and/or by the influence of other Socratics such as Antisthenes and Hermogenes . [ 4 ]