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"Metalpoint Drawing: the History and Care of a Forgotten Art – Final paper" (PDF). Mathews-Berenson, Margaret (2010). The Luminous Line: Contemporary Drawings in Metalpoint – essay for brochure. Scripps College, Claremont, California: Ruth Chandler Williams Art Gallery. Mathews-Berenson, Margaret (2009).
Traditional art history has also placed great emphasis on the individual style, sometimes called the signature style, [28] of an artist: "the notion of personal style—that individuality can be uniquely expressed not only in the way an artist draws, but also in the stylistic quirks of an author's writing (for instance)— is perhaps an axiom ...
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet ...
A history of the "Old water-colour" society, now the Royal society of painters in water colours: Volume 1, Volume 2 by John Lewis Roget (London, Longmans, Green, and co., 1891). The ideals of painting by J. Comyns Carr (New York, Macmillan, 1917). An Art history focusing on the ideals that inspired European artists throughout the ages.
Types of art techniques There is no exact definition of what constitutes art. Artists have explored many styles and have used many different techniques to create art. Artists have explored many styles and have used many different techniques to create art.
An excellent example of this style from Honoré's workshop is the Breviary of Philip the Fair, dating from around 1290. [ 23 ] The Book of Hours of Jeanne d'Evreux , [ 24 ] a small-format manuscript illuminated by the court painter Jean Pucelle around 1324-1328, contains the first truly three-dimensional depiction of an interior space north of ...
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action.