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Traditional art history has also placed great emphasis on the individual style, sometimes called the signature style, [28] of an artist: "the notion of personal style—that individuality can be uniquely expressed not only in the way an artist draws, but also in the stylistic quirks of an author's writing (for instance)— is perhaps an axiom ...
The book had a wide impact in art history, [1] but also in history (e.g. Carlo Ginzburg, who called it "splendid" [2]), aesthetics (e.g. Nelson Goodman's Languages of Art [3]), semiotics (Umberto Eco's Theory of Semiotics [4]), and music psychology (Robert O. Gjerdingen's schema theory of Galant style music). In Art and Illusion, Gombrich ...
A history of the "Old water-colour" society, now the Royal society of painters in water colours: Volume 1, Volume 2 by John Lewis Roget (London, Longmans, Green, and co., 1891). The ideals of painting by J. Comyns Carr (New York, Macmillan, 1917). An Art history focusing on the ideals that inspired European artists throughout the ages.
Cambridge Studies in the History of Art is a book series of the history of art published by Cambridge University Press. The editors were Francis Haskell , a fellow of King's College, Cambridge , and Nicholas Penny of the National Gallery . [ 1 ]
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
Art and Illusion; Art by Women in Florence; Art Deco Architecture: Design, Decoration and Detail from the Twenties and Thirties; Art Deco of the 20s and 30s; Art in the San Francisco Bay Area (book) Art: A History of Painting, Sculpture, and Architecture; Artists in biographies by Filippo Baldinucci; Arts of Mankind; The Automatic Message
Frederick Hartt (May 22, 1914 – October 31, 1991) was an Italian Renaissance scholar, author and professor of art history.His books include History of Italian Renaissance Art, Art: A History of Painting, Sculpture, and Architecture (two volumes), Michelangelo (Masters of Art Series), The Sistine Chapel and The Renaissance in Italy and Spain (Metropolitan Museum of Art Series).
And, though art historical methodology based on stylistic analysis largely fell out of fashion in the 1980s and 1990s, and Byzantine Art in the Making has been described as the last gasp of Viennese-style formalist art history on the model of Aloïs Riegl and Josef Strzygowski]., [3] many aspects of Kitzinger's methodology may be described as ...