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Womanhouse (January 30 – February 28, 1972) was a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro, co-founders of the California Institute of the Arts Feminist Art Program, and was the first public exhibition of art centered upon female empowerment.
MCM chalkware lamps were often romantic and exotic with a focus on the idealized beauty of historic, natural, and abstract designs. Common motifs were dancers (often sold as a male and female pair), innocent or sensual figures, trees, flowers, animals, zig-zags, waves and modern abstract sculpture typical of the period.
Period (birth) Name Country Born Died Comments Source 1940–1999: Zsuzsanna Budapest: Hungary: 1940 – Founder of the female-only tradition of the Dianic Wicca religion [114] [115] 1940–1999: Lesley Abdela: United Kingdom: 1945 – Expert on women's rights and representation [19] 1940–1999: Patricia Monaghan: United States: 1946: 2012
The United States Women's National Team has had several athletes become icons since the 1990s. Most recently, Alex Morgan and Megan Rapinoe have joined the likes of Mia Hamm and Abby Wambach as ...
For all the praise of how great ’70s cinema was, when you come to think about it, many of the great crime classics like Straight Time, The Godfather and Thief were all testosterone-driven, with ...
A Roman hanging lamp or chandelier. Hanging lighting devices, some described as chandeliers, were known since ancient times, and circular ceramic lamps with multiple points for wicks or candles were used in the Roman period. [11] [12] The Roman terms lychnuchus or lychnus, however, can refer to candlestick, floor lamps, candelabra, or ...
Women artists in this period began to change the way women were depicted in art. Many of the women working as artists in the Baroque era were not able to train from nude models, who were always male, but they were very familiar with the female body. Women such as Elisabetta Sirani created images of women as conscious beings rather than detached ...
Woman Ironing (French: La repasseuse) [1] is a 1904 oil painting by Pablo Picasso that was completed during the artist's Blue Period (1901—1904). This evocative image, painted in neutral tones of blue and gray, depicts an emaciated woman with hollowed eyes, sunken cheeks, and bent form, as she presses down on an iron with all her will.