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The song is considered a Christmas carol, as its original lyrics celebrate the Nativity of Jesus: Go tell it on the mountain, over the hills and everywhere; go tell it on the mountain, that Jesus Christ is born. An alternative final line omits the reference to the birth of Christ, instead declaring that "Jesus Christ is Lord". [2]
Manuel de Lacunza y Díaz, S.J. (July 19, 1731 – c. June 18, 1801) was a Jesuit priest who used the pseudonym Juan Josafat Ben-Ezra in his main work on the interpretation of the prophecies of the Bible, which was entitled The Coming of the Messiah in Majesty and Glory.
Christ in Majesty or Christ in Glory (Latin: Maiestas Domini) [1] is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context.
In 2018, the company repurposed its underused recording facility to accommodate a music studio, Majesty Music Academy. [8] During the late 1990s, the Garlocks began transferring ownership of the business to the Hamiltons; and in the 2010s, the Hamiltons made similar arrangements to perpetuate the ministry through their daughter, Megan, and her ...
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz . Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
Christ the King is a title of Jesus in Christianity referring to the idea of the Kingdom of God where Christ is described as being seated at the right hand of God. [1] Many Christian denominations consider the kingly office of Christ to be one of the threefold offices: Christ is a prophet, priest, and king. [2]
Majesty (abbreviated HM for His Majesty or Her Majesty, oral address Your Majesty; from the Latin maiestas, meaning ' greatness ') is used as a manner of address by many monarchs, usually kings or queens. Where used, the style outranks the style of (Imperial/Royal) Highness, but is inferior to the style of Imperial Majesty.
The duet for soprano and alto, "Wir eilen mit schwachen, doch emsigen Schritten, o Jesu, o Meister, zu helfen zu dir" (We hasten with weak, yet eager steps, O Jesus, O Master, to you for help), [1] speaks of rushing steps, shown predominantly in the figures of the continuo. Gardiner described it as "smile-inducing music".