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The Chinese Calligraphy and Painting Grading Dictionary (中国书画定级图典) states: "The calligraphy adopts the cursive script method of the Tang dynasty artist Huai Su, but it has already achieved a level of mastery that allows for free and versatile application. The brushwork is both vigorous and smooth.
The printing method was to print on a large sheet, then fold it in half so the text appears on both sides. The second stage is to gather all the folded leaves into order and assemble the back and front covers. Important or luxury edition books have a further single leaf inserted in the fold of the leaves.
Besides its aesthetic value, the text content of Shu Pu is considered to be one of the most important documents in studying Chinese calligraphy. It is one of the earlier documents to systematically record and analyze the art, and is often used as a reference literature in the study of Chinese calligraphy. [3] [2]
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia . [ 1 ]
Both horizontal and vertical writing are used in Japan, Hong Kong, Macau and Taiwan. Traditional characters are also used in mainland China in a few limited contexts, such as some books on ancient literature, or as an aesthetic choice for some signs on shops, temples, etc. In those contexts, both horizontal and vertical writing are used as well.
In ancient times, famous calligraphy was carved in stone. Later, people made rubbings of the stone on paper so that they could copy and learn the famous calligraphy.. Emperor of the Liang dynasty Xiao Yan made a rubbing of one thousand characters from the famous calligrapher Wang Xizhi, and made sentences and paragraphs for the one thousand characters, which became known as the Thousand ...