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The museum collection features decorative ceramic tiles or azulejos from the second half of the 15th century to the present day. Besides tiles, it includes ceramics, porcelain and faience from the 19th to the 20th century. Its permanent exhibition starts with a display of the materials and techniques used for manufacturing tiles.
Qashani or Kashani is a Persian decorative art which had been popular in Iran in the 16th to 18th century, and then moved to Turkey in the time of the Ottomans with the transfer of many Persians artists to Turkey, becoming the basis for decorating the walls of mosques, palaces, shrines and tombs. It is a square-shaped ceramic tile which uses ...
The company produces tiles for a UK and worldwide market including the US, Australia, New Zealand, Europe and the Middle East. Craven Dunnill at Bridgnorth remains a tile distribution company and the company's administrative head office. Some parts of the factory and a weekly guided tour are open to visitors of the on-site Jackfield Tile Museum.
Panel of the Battle of Aljubarrota by Portuguese artist Jorge Colaço, 1922. Azulejo (Portuguese: [ɐzuˈle(j)ʒu, ɐzuˈlɐjʒu], Spanish:; from the Arabic الزليج, al-zillīj) [1] [2] is a form of Portuguese and Spanish painted tin-glazed ceramic tilework.
Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat.
The museum is housed in a decorative tile factory building, the former works of Craven Dunnill and Company, that is still used to produce tiles, particularly encaustic tiles. Jackfield is one of the oldest known ceramic production centres in Shropshire, a tradition dating back to the 16th century.