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Tumbling Blocks pattern, assembled in the 1870s (Cooper Hewitt, Smithsonian Design Museum) Patchwork quilts are made with patterns, many of which are common designs in North America. Anvil [1] Basket [1] Bear Paw [1] Brick Work [2] Churn Dash [1] Corn and Beans [1] Dogwood and Sunflower [1] Double Wedding Ring [1] Dove in the Window [1] Dresden ...
Log Cabin quilts were mentioned in print as early as 1863, with archival examples dating back to 1874. Log Cabin quilts in the 19th century were popular enough to have their own county fair prize category. [7] To support the Union Army, Log Cabin quilts were sold in fundraisers. The Log Cabin pattern expressed nostalgia for settler times when ...
Patchwork blocks are pieced squares [11] made up of colored shapes that repeat specific shapes to create patterns within the square or block of, say, light and dark or contrasting colors . The blocks can all repeat the same pattern, or blocks can have several different patterns. The patchwork blocks are typically around 8–10 in 2 (52–65 cm ...
The quilting can either outline the patchwork motifs, or be a completely independent design, for when quilting, the design may not necessarily follow the patchwork design, and the design of the quilting may play off the patchwork design. Outline quilting is when the pieces of the pattern are outlined by the quilting stitches. [1]
A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
Broderie perse can be done with any printed fabric on any ground, but it originally was worked with Chintz type fabrics, often imported from India. [1]: 111 Chintz typically has clearly defined, separated motifs, which were cut out and invisibly applied onto the ground fabric.
The Quilt Index is a searchable database for scholars, quilters and educators featuring over 50,000 quilts from documentation projects, museums, libraries, and private collections. [1]
In Stitched from the Soul (1990), Gladys-Marie Fry asserted that quilts were used to communicate safe houses and other information about the Underground Railroad, which was a network through the United States and into Canada of "conductors", meeting places, and safe houses for the passage of African Americans out of slavery.