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Likely point where Stieglitz stood aboard the Kaiser Wilhelm II to take the photo. Shown on a model of the ship in the Deutsches Museum, Munich. In June 1907 Stieglitz and his family sailed to Europe to visit relatives and friends. They booked passage on the SS Kaiser Wilhelm II, one of the largest and fastest ships in the world at that time ...
Alfred Stieglitz HonFRPS (/ ˈ s t iː ɡ l ɪ t s /; January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form.
Valued image: This is a featured picture on Wikimedia Commons (Featured pictures) and is considered one of the finest images.See its nomination here. This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope The Steerage, by Alfred Stieglitz.
Alfred Stieglitz: Aboard the SS Kaiser Wilhelm II, possibly anchored at Plymouth, England, United Kingdom [32] Glass plate Landmark modernist photo depicting immigrants on the SS Kaiser Wilhelm II. [33] [s 1] [s 3] Child Laborer in Newberry, South Carolina Cotton Mill [i] 1908 Lewis Hine: Newberry, South Carolina, United States Glass plate
291 is the commonly known name for an internationally famous art gallery that was located in Midtown Manhattan at 291 Fifth Avenue in New York City from 1905 to 1917. Originally called the "Little Galleries of the Photo-Secession", the gallery was established and managed by photographer Alfred Stieglitz.
Stieglitz: “Well, that’s all there is to it.” [1] However, when Charles Berg asked Stieglitz if he, too, was a Photo-Secessionist, Stieglitz brusquely informed him that he was not. [1] Stieglitz gave this response even though he was the one responsible for including three of Berg’s photos in the show.
Her friend showed them to Alfred Stieglitz, the art dealer and renowned photographer, who would eventually become O'Keeffe's husband. He was the first to exhibit her work in 1916.
Equivalent (1926), one of many photographs of the sky taken by Stieglitz.. Equivalents is a series of photographs of clouds taken by Alfred Stieglitz from 1925 to 1934. They are generally recognized as the first photographs intended to free the subject matter from literal interpretation, and, as such, are some of the first completely abstract photographic works of art.