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In standard music notation, the order in which sharps or flats appear in key signatures is uniform, following the circle of fifths: F ♯, C ♯, G ♯, D ♯, A ♯, E ♯, B ♯, and B ♭, E ♭, A ♭, D ♭, G ♭, C ♭, F ♭. Musicians can identify the key by the number of sharps or flats shown, since they always appear in the same order.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a B ♭ indicates that every B is played as a B ♭. A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key ...
[11]: 74 The accidentals may be below the superscript and subscript number(s), before the superscript and subscript number(s), or using a slash (/) or plus sign (+) to indicate that the interval is raised (either ♮ in a flat key signature or a ♯ or in a sharp key signature. Secondary chords are indicated with a slash e.g. V/V.
The key signatures associated with those pitches change accordingly: the key of G has one sharp, the key of D has 2 sharps, and so on. Proceeding counterclockwise from the top of the circle, the notes change by descending fifths and the key signatures change accordingly: the key of F has one flat, the key of B ♭ has 2 flats
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
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Key coloration is the difference between the intervals of different keys in a single non-equal tempered tuning, and the overall sound and "feel" of the key created by the tuning of its intervals. Historical irregular musical temperaments usually have the narrowest fifths between the diatonic notes ("naturals") producing purer thirds , and wider ...