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"The Partisan" is an anti-fascist anthem about the French Resistance in World War II. The song was composed in 1943 by Russian-born Anna Marly (1917–2006), with lyrics by French Resistance leader Emmanuel d'Astier de La Vigerie (1900–1969), and originally titled "La Complainte du partisan" (English: "The lament of the partisan").
A cover version of "Anthem" appears on the album Matador: The Songs of Leonard Cohen released by the Canadian singer Patricia O'Callaghan in 2012, and Bob Seger included a cover of "Democracy" on his 2017 album I Knew You When.
"Everybody Knows" has been widely used in television and film. Allan Moyle's 1990 film Pump Up the Volume features the song prominently. A favorite of protagonist Mark Hunter (Christian Slater, as the operator of an FM pirate radio station), Cohen's song is played from an on-screen phonograph several times during Mark's clandestine broadcasts.
The song was the subject of a 2012 book, The Holy or the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of 'Hallelujah'; author Alan Light said that Cohen's "approach to language and craft feel unlike the work of anybody else. They sound rooted in poetry and literature because he studied as a poet and a novelist first."
Cohen has described "Bird on the Wire" as a simple country song, and the first recording, by Judy Collins, was indeed done in a country setting. He later made various minor changes, such as the modifications present on Cohen Live. Different renditions are included on all of his live albums.
"First We Take Manhattan" is a song written by Canadian singer-songwriter Leonard Cohen. It was originally recorded by American singer Jennifer Warnes on her 1986 Cohen tribute album Famous Blue Raincoat, which consisted entirely of songs written or co-written by Cohen.
Leonard Norman Cohen CC GOQ (September 21, 1934 – November 7, 2016) was a Canadian songwriter, singer, poet, and novelist. Themes commonly explored throughout his work include faith and mortality, isolation and depression, betrayal and redemption, social and political conflict, and sexual and romantic love, desire, regret, and loss. [1]
Its lyrics first appeared as the poem "Suzanne Takes You Down" in Cohen's 1966 book of poetry Parasites of Heaven. The song was on his debut album Songs of Leonard Cohen. Cohen's recording was released as a single in 1968 but did not reach music charts. [10] The song only charted after Cohen's death in 2016.