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Japanese painting (絵画) is one of the oldest and most highly refined of the Japanese arts, encompassing a wide variety of genres and styles. As with Japanese arts in general, Japanese painting developed through a long history of synthesis and competition between native Japanese aesthetics and adaptation of imported ideas.
The year 1800 in art is often estimated to be the beginning of the change from the Neoclassicism movement, that was based on Roman art, to the Romantic movement, which encouraged emotional art and ended around 1850 and brought forth a new era of artistic exploration. Artists of that time departed from traditional norms, embracing fresh ideas ...
The history of art focuses on objects made by humans for ... Germanic art in the area of modern-day Germany during the Migration Period (c. 300–900 CE) reflects the ...
1952 – Stain painting, in which liquid paint soaks and bleeds into the fabric of unprimed canvas, was invented by Joan Miró, James Brooks and Jackson Pollock, who influenced Helen Frankenthaler as seen in her painting "Mountains and Sea" of 1952. 1959 – The first public "happening" was produced by Allan Kaprow at the Reuben Gallery in New ...
Some 130 works by 31 artists are on display at the Musée d’Orsay in “Paris 1874: Inventing Impressionism,” which marks the 150th anniversary of the show that launched the movement. But of ...
1974 in art – For the first time in art history, ... 1801 in art – Birth of Thomas Cole; 1800 ... 1305 in art – The Scrovegni Chapel frescoes are made by Giotto ...
George Caleb Bingham, and later Frederic Remington, Charles M. Russell, the photographer Edward S. Curtis, and others recorded the U.S. Western heritage and the Old American West through their art. History painting was a less popular genre in U.S. art during the 19th century, although Washington Crossing the Delaware, painted by the German-born ...
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting.