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This is a list of women artists who were born in Cuba or whose artworks are closely associated with that country. This is a dynamic list and may never be able to satisfy particular standards for completeness.
This is a non-diffusing subcategory of Category:20th-century Cuban artists. It includes Cuban artists that can also be found in the parent category, or in diffusing subcategories of the parent. See also: Category:20th-century Cuban male artists
The unofficial head of Grupo Bayate is Luis Rodríguez Arias (born 1950), a baker by profession. He is known as el maestro to differentiate him from his son, artist Luis Rodríguez Ricardo (born 1966), who calls himself el Estudiante. Both were represented in the Naïve Art from Cuba exhibition, which ran from September 11 to October 10, 1997. [19]
One version of the proportions used in modern figure drawing is: [4] An average person is generally 7-and-a-half heads tall (including the head). An ideal figure, used when aiming for an impression of nobility or grace, is drawn at 8 heads tall. A heroic figure, used in the depiction of gods and superheroes, is eight-and-a-half heads tall. Most ...
This is a non-diffusing subcategory of Category:Cuban painters. It includes Cuban painters that can also be found in the parent category, or in diffusing subcategories of the parent. Biography portal
José Bernal (1925–2010), Cuban-born American painter and sculptor; Joaquín Blez Marcé (1886–1974), photographer; Carlos Alberto Cruz Boix (born 1949), painter and sculptor; Saidel Brito Lorenzo (born 1973), drawing, sculpture, installation, photography, born in Matanzas; Adriano Buergo (born 1964), painting, drawing, installations
Sandra Ramos Lorenzo was born in Havana, Cuba to two native Cuban parents, and she now lives in Miami, Florida. She was heavily inspired to become an artist by the painter Gloria González, the grandmother of Ramos's close childhood friend, curator Wendy Navarro.
The One That Carried Fire consists of organic lines and shapes of flowers painted in bright reds and pink, alluding to female reproductive organs. [37] At the bottom is Campos Pons' self-portrait, whose natural hair holds a glowing orb connecting her to the burst of color and flowers, not only a physical connection with her femininity, but also ...