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Chicago blues harmonica player Junior Wells recorded several versions of "Early in the Morning" during his career. He first recorded it in 1954 for States Records, while he claimed he was AWOL from the U.S. Army. [12] Titled "'Bout the Break of Day", Wells added several verses which have been used in subsequent versions of the song by other ...
Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... # of chords Quality 50s progression: I–vi–IV–V: 4:
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
"Early in the Mornin'" or "'Early in the Morning" is a song that was recorded by Louis Jordan and His Tympany Five in 1947. It is an early example of a blues which incorporates Afro-Cuban rhythms and percussive instruments. [1] "Early in the Mornin'" became a hit, reaching number three in Billboard magazine's race records chart. [2]
The track was recorded on the same day Dylan recorded the other three songs on side 2 of the album: "Mr. Tambourine Man", "Gates of Eden" and "It's Alright Ma (I'm Only Bleeding)". [3] Dylan had been playing those other songs live for some time, allowing them to evolve before recording of the album commenced. [ 2 ]
An open C tuning. Open C tuning is an open tuning for guitar. The open-string notes form a C major chord, which is the triad (C,E,G) having the root note C, the major third (C,E), and the perfect fifth (C,G).
An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved.