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Stone, Andrea, and Marc Zender, Reading Maya Art: A Hieroglyphic Guide to Ancient Maya Painting and Sculpture. Thames and Hudson 2011. Stuart, David, and George Stuart, Palenque, Eternal City of the Maya. Thames and Hudson 2008. Tate, Carolyn E., The Carved Ceramics Called Chochola. In 5th Palenque Round Table, PARI, San Francisco 1985: 122-133.
Maya chacmool from Chichen Itza, excavated by Le Plongeon in 1875, now displayed at the National Museum of Anthropology in Mexico City. A chacmool (also spelled chac-mool or Chac Mool) is a form of pre-Columbian Mesoamerican sculpture depicting a reclining figure with its head facing 90 degrees from the front, supporting itself on its elbows and supporting a bowl or a disk upon its stomach.
The miscellaneous sculptures include M1 through M7 which are various pieces of what were once statues that seem to depict people, possibly deities or rulers. [3] M1 is perhaps the most noteworthy, being the sculpture often referenced by the archaeologists who named the site as it appears to be a clenched hand which led to the name “Kabah”. [2]
The Museo Popol Vuh (Popol Vuh Museum) is home to one of the major collections of Maya art in the world. It is located on the campus of the Universidad Francisco Marroquín in Zone 10, Guatemala City. The museum is known for its extensive collection of pre-Columbian and colonial art of the Maya culture.
The Maya civilization developed in the Maya Region, an area that today comprises southeastern Mexico, all of Guatemala and Belize, and the western portions of Honduras and El Salvador. It includes the northern lowlands of the Yucatán Peninsula and the Guatemalan Highlands of the Sierra Madre , the Mexican state of Chiapas , southern Guatemala ...
Maya stelae (singular stela) are monuments that were fashioned by the Maya civilization of ancient Mesoamerica. They consist of tall, sculpted stone shafts and are often associated with low circular stones referred to as altars, although their actual function is uncertain. [ 2 ]
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The appearance of Maya sculpture and the cessation of Olmec-style sculpture may represent a Maya intrusion into the area previously occupied by Mixe–Zoquean inhabitants. [ 16 ] [ 45 ] One possibility holds that Maya elites entered the area in order to take control of the cacao trade. [ 45 ]