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A sarafan (Russian: сарафа́н, IPA: [sərɐˈfan], from Persian: سراپا sarāpā, literally "[from] head to feet") [1] is a long, trapezoidal Russian jumper dress (pinafore dress) worn by girls and women and forming part of Russian traditional folk costume. Traditional Russian costume consists of straight, flowing lines.
An avid musical folklore collector, Tsyganov became known as an author and performer of his own songs, mostly variations of the traditional ones, some of which (like the well-known "Don't sew me a red sarafan, dear mother" ("Не шей ты мне, матушка, красный сарафан" [a]) later came to be regarded as bona fide ...
Works like "The Red Sarafan," with its fluid lyricism and rustic harmonies, encased within the waves of easy rhythmicity and content tempi, showcased his indelible fidelity to the true natures of the Russian traditional music and her practices. Another song entitled "Don't Wake Her Up at Dawn," won the composer praise for its solemnly pensive ...
This music is closely tied in with village life and traditions. It was usually not performed by professional musicians. From the Central Committee's resolution of 1932, [4] which prescribed musical literacy (in parallel to the drive to industrialise the Soviet Union), there has been a marked decline in authentic folk performance practice.
The portrait of an unknown girl in the traditional Russian clothing by Ivan Argunov, 1784, showcasing a large kokoshnik head dress. The kokoshnik (Russian: коко́шник, IPA: [kɐˈkoʂnʲɪk]) is a traditional Russian headdress worn by women and girls to accompany the sarafan.
Neuromonakh Feofan (Russian: Нейромонáх Феофáн, romanized: Neyromonah Feofan, lit. 'Neuromonk Theophanes') is a musical project from St. Petersburg, Russia, combining drum 'n' bass and Russian folk music. Neuromonakh Feofan's performances are styled after traditional Russian festivals.
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Vasily Vasilievich Andreyev (Russian: Васи́лий Васи́льевич Андре́ев; 15 January [O.S. 3 January] 1861 – 26 December 1918) [1] was a Russian musician responsible for the modern development of the balalaika and several other traditional Russian folk music instruments, and is considered the father of the academic folk instrument movement in Eastern Europe. [2]