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Relative luminance follows the photometric definition of luminance including spectral weighting for human vision, but while luminance is a measure of light in units such as /, relative luminance values are normalized as 0.0 to 1.0 (or 1 to 100), with 1.0 (or 100) being a theoretical perfect reflector of 100% reference white. [1]
Standard SMPTE cinema screen luminance [10] 80 cd/m 2: Monitor white in the sRGB reference viewing environment 250 cd/m 2: Peak luminance of a typical LCD monitor [11] [12] 700 cd/m 2: Typical photographic scene on overcast day [7] [9] [12] 10 3: kcd/m 2: 1 kcd/m 2: Cloudy sky at noon [4] [12] 2 kcd/m 2: Average cloudy sky [5] [12] 2.5 kcd/m 2 ...
"HCL" designed in 2005 by Sarifuddin and Missaou, which is a transformation of whatever type of RGB color space is in use. [5] HCT with tone as a synonym for luminance is then used within Material Design for its color system, using value ranges of 0–360°, 0–120+ and 0–100%, respectively. [6]
A luminance meter is a device used in photometry that can measure the luminance in a particular direction and with a particular solid angle. The simplest devices measure the luminance in a single direction while imaging luminance meters measure luminance in a way similar to the way a digital camera records color images.
A comparison between a typical normalized M cone's spectral sensitivity and the CIE 1931 luminosity function for a standard observer in photopic vision. In the CIE 1931 model, Y is the luminance, Z is quasi-equal to blue (of CIE RGB), and X is a mix of the three CIE RGB curves chosen to be nonnegative (see § Definition of the CIE XYZ color space).
In order to convert RGB or CMYK values to or from L*a*b*, the RGB or CMYK data must be linearized relative to light. The reference illuminant of the RGB or CMYK data must be known, as well as the RGB primary coordinates or the CMYK printer's reference data in the form of a color lookup table (CLUT). In color managed systems, ICC profiles ...
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Normalized responsivity spectra of human cone cells, S, M, and L types (SMJ data based on Stiles and Burch [1] RGB color-matching, linear scale, weighted for equal energy) [2] LMS (long, medium, short), is a color space which represents the response of the three types of cones of the human eye , named for their responsivity (sensitivity) peaks ...