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The Imaginary (Japanese: 屋根裏のラジャー, Hepburn: Yaneura no Rajā, lit. ' Rudger in the Attic ' ) is a 2023 Japanese animated fantasy film directed by Yoshiyuki Momose from a screenplay written by Yoshiaki Nishimura , who also produced the film, and animated by Studio Ponoc .
The Imaginary may refer to: The Imaginary (novel) (2014), written by A. F. Harold and illustrated by Emily Gravett The Imaginary (film) (2023), directed by Yoshiyuki Momose and produced by Studio Ponoc
In April 2021, the developers announced plans to launch a Kickstarter project later in the month to turn the demo into a full game. [12] On April 18, a Kickstarter project for the full version of the game was released under the name Friday Night Funkin': The Full Ass Game and reached its goal of $60,000 within hours. [18]
In the United States and Canada, Imaginary was released alongside Kung Fu Panda 4 and Cabrini, and was projected to gross $10–14 million from 3,118 theaters in its opening weekend. [ 11 ] [ 3 ] The film made $3.6 million on its first day, including $725,000 from Thursday night previews.
FnF, a Bangladeshi drama "F.N.F. (Let's Go)", a 2022 song by Hitkidd and GloRilla; Friday Night Fights, an American boxing television series; Friday Night Funkin', a 2020 rhythm-based video game; Fresh and Fit Podcast, male self-improvement podcast hosted by Myron Gaines and Walter Weekes, also known as FnF Podcast
The Imaginary is a 2014 British children's novel written by A. F. Harrold and illustrated by Emily Gravett. It is about a small girl, Amanda, and her imaginary friend, Rudger. An anime film adaptation by Studio Ponoc has been announced. Initially set for a Q3 2022 release, [1] [2] it was later delayed to 15 December 2023 due to production ...
The Imaginary, a 1940 philosophical work by Jean-Paul Sartre; Imaginary (exhibition), a mathematical art exhibition by the Mathematisches Forschungsinstitut Oberwolfach; Imaginary, a 2024 American supernatural horror film directed by Jeff Wadlow; The Imaginary, a 2023 Japanese animated fantasy film directed by Yoshiyuki Momose
For Lacan, the driving-force behind the creation of the ego as mirror-image was the prior experience of the phantasy of the fragmented body. "Lacan was not a Kleinian, though he was the first in France…to decipher and praise her work," [7] but "the threatening and regressive phantasy of 'the body-in-pieces'…is explicitly related by Lacan to Melanie Klein's paranoid position."