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Seeing the picture in Freudian terms, Thomas B. Hess believed the fox, "dapper, small, inquisitive, shrewd", was a self-portrait. [ 6 ] [ 7 ] Cikovsky noted that the artist's signature is "sinking like the fox into the deep snow and exactly mimicking its form and action", and adds that the fox's tail, repeated by the 'R' in the signature, is ...
Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.
Departing from earlier Civil War works, such as Home, Sweet Home, Homer moves toward a simplified composition in Veteran in a New Field, marking a transitional moment in his career. [3] Winslow Homer's Prisoners from the Front. The Veteran in a New Field bears a resemblance to Prisoners from the Front, which Homer painted the following year ...
They were attending a fancy dress party in Arabian costume. The party was also attended by Winslow Homer who was asked by Lady Blake to sketch the children. The central figure is Olive Blake. On either side of her are her younger brothers, Maurice and Arthur. Olive subsequently married John (Jack) Arbuthnot who wrote some of the Beachcomber ...
Snap the Whip is an 1872 oil painting by the American artist Winslow Homer. [1] It depicts a group of children playing crack the whip in a field in front of a small red schoolhouse. With more of America's population moving to cities, the portrait depicts the simplicity of rural agrarian life that Americans were beginning to leave behind in the ...
Not all of Homer's sea pictures are so benevolent as Breezing Up: he portrayed waves crashing ashore as did Courbet (see for example The Wave, c. 1869). Monet's relatively early paintings Seascape: Storm (1867) and The Green Wave (1866) show boats on somewhat turbulent seas. The Gulf Stream, Winslow Homer, 1899.
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The Cotton Pickers is an 1876 oil painting by the American artist Winslow Homer. [1] It depicts two young African-American women in a cotton field.. Stately, silent and with barely a flicker of sadness on their faces, the two black women in the painting are unmistakable in their disillusionment: they picked cotton before the war and they are still picking cotton afterward.