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The prevalence of calligraphy in Islamic art is not directly related to its non-figural tradition; rather, it reflects the centrality of the notion of writing and written text in Islam. [7] Islamic calligraphy developed from two major styles: Kufic and Naskh. There are several variations of each, as well as regionally specific styles.
[7] [8] [9] The Nasser D. Khalili Collection of Islamic Art includes 26,000 objects documenting arts from Islamic lands over a period of almost 1400 years. It was described in 1998 as "one of the largest and most representative collections of Quranic manuscripts in the world" [ 10 ] and is the largest private collection.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Nassar Mansour (Arabic: نصّار منصور), (born February 2, 1967), is an artist, calligrapher, academic and designer in the field of Islamic Arts, specializing in Islamic Calligraphy. He is considered to be one of the most accomplished contemporary Arab calligraphers today.
Butt is one of the few living Islamic calligraphers whose work has been auctioned through Christie's, London. Rasheed Butt has served as a Professor at National College of Arts (2008-2009) and Fatima Jinnah Women's University (2006-2010), both located in Rawalpindi, Pakistan. He has also conducted several calligraphy workshops.
Sadequain was part of a broader Islamic art movement that emerged independently across North Africa and parts of Asia in the 1950s and known as the Hurufiyya movement. [13] Hurufiyah refers to the attempt by artists to combine traditional art forms, notably calligraphy as a graphic element within a contemporary artwork. [14]