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Saltillo tiles vary in color and shape, but the majority of Traditional Saltillo tiles range in varying hues of reds, oranges, and yellows. [3] Manganese Saltillo tile has light and dark brown colors with some terracotta tones. Antique Saltillo [4] tile is a hand-textured finished with deep terracotta tones of color. With its textured surface ...
Many of the façades in the historic center of Puebla are decorated with these tiles. [9] [20] These tiles are called azulejos and can be found on fountains, patios, the façades of homes, churches and other buildings, forming an important part of Puebla's Baroque architecture. [21] This use of azulejos attested to the family's or church's wealth.
Part of the facade, with azulejos. It is known that the original construction was built in the 16th century, and that it is actually made up of the union of two stately mansions, of which the one that was originally located on the south side was the one that belonged, together with the so-called Plazuela de Guardiola to a man named Damián Martínez. [6]
Imperfections in pieces are less tolerated in local Mexican markets than in some foreign markets. The reason for this is that mechanized production of near perfect copies is still a relatively new phenomenon, so the imperfections that show something was made by hand do not have the "charm" they might in more industrialized countries. [22]
Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically, this activity of conservation-restoration is undertaken by a conservator-restorer , especially when dealing with an object of cultural heritage .
During the early 1900s, Don Jose Machuca y Romeo was the foremost producer of Mediterranean tiles in the Philippines. His son, Don Pepe, an Audencia, established Mosaicos Machuca in an ancestral house located on Calle Tanduay in San Miguel, Manila, while the tile factory itself was situated beside the Pasig River.