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Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
Top Popular Recordings 1920 [ edit ] The following songs achieved the highest positions in Joel Whitburn's Pop Memories 1890-1954 and record sales reported on the " Discography of American Historical Recordings " website during 1920: [ 3 ] Numerical rankings are approximate, they are only used as a frame of reference.
Classic female blues was an early form of blues music popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues songs performed by female vocalists were accompanied by pianists or small jazz ensembles, and were the first blues to be recorded.
George Upton's "Women in Music" is the "first of many articles and reviews by prominent male critics which sought to trivialize and undermine the achievements of what was considered an alarming number of new women composers in the realm of 'serious' classical music". [1] The Native American Sun Dance is banned. [2]
In 1970, rock musician Ringo Starr surprised the public by releasing an album of Songbook songs from the 1920s, 1930s, and 1940s, Sentimental Journey.Reviews were mostly poor or even disdainful, [25] but the album reached number 22 on the US Billboard 200 [26] and number 7 in the UK Albums Chart, [27] with sales of 500,000.
Late 1920s music trends Louis Armstrong becomes one of the most renowned and iconic figures in the world of jazz. His work during this period is a synthesis of African American folk song, the music of the cabarets and the veneration of virtuosity in the Chicago music scene. [193] With the rise of talking pictures, the first movie musicals are ...
Modern Cajun music began developing in the 1920s, drawing on traditional fiddlers and more modern accordionists. Joe and Cléoma Falcon made the first recording, "Allons à Lafayette", in 1928. The song was a regional hit that paved the way for Cleoma's brother, Amédée Breaux's "Jolie Blonde", now often considered the Cajun national anthem.
In response the women formed a song service which sparked song competitions across the country wherein the public could write and submit their own suffragist music. [22] Over time, the most popular song collection was compiled in 1912 by Eugenie M. Raye-Smith. [15]