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Arriflex 435ES. Arri debuted two models of the 435 in 1995: the 435 and 435ES. The latter is suffixed ES to denote electronic shutter capabilities; this means that the shutter angle is able to be continuously electronically adjusted, even while the camera is running, and set to any angle within a specific range (11.2° to 180°) to a great deal of precision (0.1°).
This makes it easier to quickly see how the models differ. (A camera line is defined as a series of camera models with a common design - in the case of the Arriflex 435 camera line, the models within the camera line are the 435 (manual), 435 ES, 435 Advanced, and 435 Xtreme. Generally speaking, the camera model name will indicate the camera line.)
Arriflex 435 Advanced Yes Half-moon Underneath gate electronic between 11.2° and 180°, in 0.1° stops Aaton 35-3P Yes Half-moon Underneath gate manual stops at 144°, 150°, 172.8°, and 180° Arriflex 235 Yes Half-moon Underneath gate manual stops every 15° between 45° and 150°, also stops at 144°, 172.8°, and 180° Arriflex 435 Xtreme Yes
The Arriflex 535 camera was released in 1990, followed by the Arriflex 535B and the Arriflex 16SR 3 in 1992. The Arriflex 435 was released in 1994. [22] [23] Arri partnered with Carl Zeiss AG in order to develop and manufacture advanced lenses for the motion picture industry. In 1998, Arri released the Ultra Prime lenses. [24]
In contrast to the Arriflex 435 it uses a single registration pin. The ground glass is identical to the 435. [1] The motor power ranges from 20-35V and is usually powered by an onboard battery on the AC side of the camera. The Arri 235 has an SDI video output and several power outputs for camera accessories, such as RCU, WRC, ICU or ESU.
It is Arri's flagship sync-sound camera line, replacing the Arriflex 535 line. The design was developed by Fritz Gabriel Bauer and Walter Trauninger, and is heavily derivative of the cameras Bauer created for his Moviecam company, which was bought out by Arri in the mid-1990s. As such, the Arricam is a fusion of the mechanical and intuitive ...
The release of this camera, together with the Panaflex Lightweight released in 1975, changed the filmmaking process profoundly and made big camera setups like the Mitchell BNCR obsolete. [1] The Arriflex 35BL was released just in time to document the 1972 Summer Olympics, in Arri's hometown Munich. This led to a huge boost in popularity of this ...
reflex mirror; manual model stops at 15°, 30°, 45°, 60°, 75°, 90°, 105°, 120°, 135°, 144°, 172.8° and 180° ... The Arriflex 765 is a 65 mm movie camera ...