Search results
Results From The WOW.Com Content Network
The status of Raja Harischandra as the first full-length Indian feature film has been argued over. Some film historians consider Dadasaheb Torne's silent film Shree Pundalik as the maiden Indian film. [64] [65] Torne's film was released at the same theatre as Raja Harischandra on 18 May 1912, almost a year before.
Indian silent film people (3 C) Pages in category "Indian silent films" The following 58 pages are in this category, out of 58 total. This list may not reflect recent ...
His first company, Elphinstone Bioscope, was a leading producer and distributor of foreign films in permanent and travelling cinema in India, whereas his second company, Madan Theaters Limited, was mainly involved in exhibition, distribution and production of Indian films during the silent era of film industry. [7]
Silent Cinema in India - A Pictorial Journey is a 2012 Indian English language non-fiction book, written by B D Garga and published by HarperCollins India. [1] [2] It won the 2012 National Film Award for Best Book on Cinema [3]
By that time, the sound films had screened in India with the release on Alam Ara – the first sound film in the Indian cinema, on 14 March 1931. [82] Being a silent film, Setubandhan faced difficulties in getting theaters with the competition from sound films. It was released in 1932.
Manilal Joshi, an eminent Gujarati director, quit his job as a teacher in 1920 and joined Kohinoor Film Company, learning cinematography from Vishnu B. Joshi. [6]Majority of the silent films made in Indian cinema all over India including the South India states with the exception of Kerala, were mythological in context. [7]
Lillian Gish, the "First Lady of the American Cinema", was a leading star in the silent era with one of the longest careers—1912 to 1987. Silent-film actors emphasized body language and facial expression so that the audience could better understand what an actor was feeling and portraying on screen.
1,700 films were made in India during the silent film era, of which only nine survive thanks to the efforts of Nair. He travelled to remote parts of India to collect and save cans of rare films. The fact that Dadasaheb Phalke is recognized today as the father of Indian cinema is Nair's doing. He tried to save any film that he could get his ...