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"Cara Mia" is a popular song published in 1954 that became a UK number 1, [1] and US number 10 hit and Gold record for English singer David Whitfield in 1954, and a number 4 hit for the American rock group Jay and the Americans in 1965.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The 13th Letter is a 1951 American film noir mystery film directed by Otto Preminger and starring Linda Darnell, Charles Boyer, Michael Rennie, and Constance Smith. [ 1 ] [ 2 ] The film is a remake of the French film Le Corbeau ( The Raven , 1943) directed by Henri-Georges Clouzot .
"Cara Mia" – with Mantovani which earned him that gold disc and gave him his second Number One in the UK Singles Chart. "My September Love". "I'll Find You" – the theme music to the 1957 film, Sea Wife, [10] starring Joan Collins and Richard Burton. "William Tell" – the theme music to the TV series, The Adventures of William Tell.
Night Without Sleep is a 1952 American film noir mystery film directed by Roy Ward Baker and starring Gary Merrill, Linda Darnell and Hildegarde Neff. [1] It was produced and distributed by 20th Century Fox .
Cara Mia" is a 1954 song, a hit for English singer David Whitfield in 1954 and the American pop group Jay and the Americans in 1965 as well as many other artists. Cara Mia (translated from the Italian, "My beloved") may also refer to:
Crisis is a 1950 American film noir directed by Richard Brooks (in his directorial debut), and starring Cary Grant, José Ferrer, and Paula Raymond.It follows an American couple who inadvertently become embroiled in a revolution.
Between Midnight and Dawn is a 1950 American film noir crime film directed by Gordon Douglas and starring Mark Stevens, Edmond O'Brien and Gale Storm. [1] It is notable as one of the earliest Hollywood policiers to focus on beat cops rather than detectives and other high-ranking officers.