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Warlock: The Armageddon is a 1993 American supernatural horror film directed by Anthony Hickox and produced by Peter Abrams. It is a sequel in title only to the 1989 film Warlock and stars Julian Sands , who returns in the title role as a warlock who attempts to free Satan from Hell.
Burning the Witches is the debut studio album by the German heavy metal band Warlock, released in 1984 through the Belgian independent label Mausoleum Records.The album was re-released in late 1984 by Vertigo Records, which went on to release all future Warlock albums.
One of the songwriters, James Vincent, appears with the name "Jim Donlinger" on the album. Born James Vincent Dondelinger, he was not a member of the band (prior to this he was in the band Aorta), but was asked by Bill Traut, Coven's producer (and founder of Dunwich Records, whose logo also appears on the album), to write, arrange and co-produce the album together with Traut.
The album debuted at number six on the Billboard 200 with 41,000 album-equivalent units; it sold 40,000 copies in its first week. [17] It was the fifth-best-selling album of the week and spent three more in the Top 200 before falling off the chart. [18]
It should only contain pages that are Warlock (band) albums or lists of Warlock (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Warlock (band) albums in general should be placed in relevant topic categories .
Their Satanic Majesties Request is the sixth studio album by the English rock band the Rolling Stones, released in December 1967 by Decca Records in the UK and by London Records in the United States. It was the first Rolling Stones album released in identical versions in both countries.
Lady Gaga has entered a new era with the release of “Disease,” her first single from her seventh solo album. The Grammy winner, 38, dropped the song on Friday, October 25, which features ...
The album also reached number 47 on the UK Album Chart,[14] and on November 20, 1992, it was certified gold in the United States. Kerrang! magazine described it as the "heaviest album of all time,"[16] while Metal Hammer magazine named it "the best metal album of the last 20 years."[17]