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The UK has a long tradition of political satire, dating from the early years of English literature. In some readings, a number of William Shakespeare's plays can be seen – or at least performed – as satire, including Richard III and The Merchant of Venice.
Political fiction employs narrative to comment on political events, systems and theories. Works of political fiction, such as political novels, often "directly criticize an existing society or present an alternative, even fantastic, reality". [1] The political novel overlaps with the social novel, proletarian novel, and social science fiction.
A painting of Jonathan Swift. Swift's essay is widely held to be one of the greatest examples of sustained irony in the history of English literature.Much of its shock value derives from the fact that the first portion of the essay describes the plight of starving beggars in Ireland, so that the reader is unprepared for the surprise of Swift's solution when he states: "A young healthy child ...
In 1925 Cain emerged as a “humorist and a master of American dialect” in satiric pieces for The American Mercury that took the form of dialogues and sketches. [5] [6] Skilled in reproducing both urban and rural vernaculars, Cain was hired by New York World in 1928 to write a regular column of dialogues depicting working-class denizens of “Bender Street”, an imaginary New York City ...
Land of the Dead, a satire of post-9/11 America state and of the Bush administration; The Wicker Man, a satire on cults and religion; The Great Dictator, a satire on Adolf Hitler; Monty Python's Life of Brian, a satire on miscommunication, religion and Christianity; The Player, a satire of Hollywood, directed by Robert Altman
Some of the earliest examples of postmodern literature are from the 1950s: William Gaddis' The Recognitions (1955), Vladimir Nabokov's Lolita (1955), and William Burroughs' Naked Lunch (1959). [25] It then rose to prominence in the 1960s and 1970s with the publication of Joseph Heller 's Catch-22 in 1961, John Barth's Lost in the Funhouse in ...
The last film in Stone’s political trilogy, this portrait of President George W. Bush (Josh Brolin), released during the twilight of his two-term presidency, is surprisingly sympathetic.
In satire, vices, follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of shaming individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and ...