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Thirty-six Views of Mount Fuji (Japanese: 富士三十六景, Hepburn: Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by Japanese ukiyo-e artist Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances.
Hiroshige's original woodblock print and Van Gogh's copy in oil Vincent van Gogh was a collector of Japanese prints, [ 14 ] decorating his studio with them. He was heavily influenced by these prints , particularly those by Hiroshige, and in 1887 painted copies of two of the One Hundred Famous Views of Edo , Sudden Shower over Shin-Ōhashi ...
Hiroshige was a member of the Utagawa school, along with Kunisada and Kuniyoshi. The Utagawa school comprised dozens of artists, and stood at the forefront of 19th century woodblock prints. Particularly noteworthy for their actor and historical prints, members of the Utagawa school were nonetheless well-versed in all of the popular genres.
Hiroshige's original woodblock print and Van Gogh's copy in oil. Vincent van Gogh was a major collector of Japanese prints, [14] decorating his studio with them. He was heavily influenced by these prints, particularly Hiroshige, and made copies of two from the One Hundred Famous Views of Edo, Plum Park in Kameido and this one.
The title page for the series of ukiyo-e prints.. The Sixty-nine Stations of the Kisokaidō (木曾街道六十九次, Kisokaidō Rokujūkyū-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige and Keisai Eisen.
Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603–1868).