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Life Magazine's cover and lead article for the September 1, 1967 issue at the height of the Summer of Love focused on the explosion of psychedelic art on posters and the artists as leaders in the hippie counterculture community. Psychedelic light-shows were a new art-form developed for rock concerts.
July 16: Wes Wilson's rock concert poster for The Association, playing at the Fillmore, is the first significant psychedelic rock concert poster, [303] after which many follow for other concerts, and the style becomes significant.
Liquid light shows (or psychedelic light shows) [not verified in body] are a form of light art that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.
Stanley George Miller (born October 10, 1940), better known as Mouse or Stanley Mouse, is an American artist who is notable for his 1960s psychedelic rock concert poster designs and album covers for the Grateful Dead, Journey, and other bands. [1]
This poster, known as "The Seed", is widely regarded by critics as the first psychedelic concert poster. [12] [nb 1] By the end of the decade, psychedelic concert-poster artwork by artists such as Wes Wilson, Rick Griffin, Stanley Mouse, Carol Alexander, Alton Kelley, and Victor Moscoso had become a mainstay of San Francisco's music scene.
Lenny Kaye on How the Original ‘Nuggets’ Compilation Changed Rock — and Reviving That ’60s Garage Spirit With an L.A. Tribute Concert Chris Willman May 15, 2023 at 8:13 PM