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The Frick Collection (colloquially known as the Frick) is an art museum on the Upper East Side of Manhattan in New York City, New York, U.S. It was established in 1935 to preserve the art collection of the industrialist Henry Clay Frick .
This is an incomplete list of artworks in the Frick Collection in New York City, United States, which mainly holds European artworks from before the 20th century. This list is incomplete ; you can help by adding missing items .
The Frick Art Research Library (formerly known as the Frick Art Reference Library) is the art library of The Frick Collection, located in New York City.The library, founded in 1920 by Helen Clay Frick, offers access to materials on the study of art to students, scholars, and the public.
The Frick Collection did not allow any major films to be shot inside until 2012, when A Late Quartet was the first production to be granted permission to shoot inside the house. The mansion has also been depicted in the TV series America's Castles and The Undoing, as well as an episode of the documentary series Treasures of New York. [348]
945 Madison Avenue, also known as the Breuer Building, is a museum building on the Upper East Side of Manhattan, New York City.The Marcel Breuer-designed structure was built to house the Whitney Museum of American Art; it subsequently held a branch of the Metropolitan Museum of Art and from 2021 to March 2024 was the temporary quarters of the Frick Collection while the Henry Clay Frick House ...
Frick Collection, New York Portrait of a Man in a Red Cap , also known as Man with a Red Cap , [ 1 ] is an oil painting by the Venetian painter Titian , made in about 1516. It is part of the Frick Collection in New York City.
Its dimensions are 50.5 by 46 cm. It is now one of three pictures by Vermeer in The Frick Collection in New York. [2] [3] Officer and Laughing Girl includes many of the characteristics of Vermeer's style. The main subject is a woman in a yellow dress, light is coming from the left-hand side of the painting from an open window, and there is a ...
In 1915, the painting entered the Frick Collection in New York City, [13] displayed prominently in what was the living room of Henry Clay Frick, an American industrialist, financier, and art patron. [6] Frick had acquired the painting even though he had little interest in religious paintings, but he valued this painting for its extensive landscape.