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Finger tapping is a piano technique developed by Alberto Guerrero for his pupil Glenn Gould. According to Guerrero, the idea for the technique came from a circus show with an extremely flexible young boy.
In notation for keyboard instruments, numbers are used to relate to the fingers themselves, not the hand position on the keyboard. In modern scores, the fingers are numbered from 1 to 5 on each hand: the thumb is 1, the index finger is 2, the middle finger is 3, the ring finger is 4 and the little finger is 5. Earlier usage varied by region.
For example, when playing the piano, fingering—which fingers to put on which keys—is a skill slowly learned as the student advances, and there are many standard techniques a teacher can pass on. There are many myths and misconceptions among music teachers, especially in the Western classical tradition, about "good" posture and "bad" posture.
Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine (acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell , or activating an electronic circuit (synthesizer, digital piano, electronic keyboard).
The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon (1819 – 1900), is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.
Good piano playing technique involves the simultaneous understanding in both the mind and the body of the relationships between the elements of music theory, recognition of musical patterns in notation and at the fingertips, the physical landscape of the entire range of the keyboard, finger dexterity and independence, and a wide range of touch ...