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Octandre for flute (doubling piccolo), oboe, clarinet, horn, bassoon, trumpet, trombone, and double bass; Heitor Villa-Lobos: Bachianas Brasileiras No. 6 for flute and bassoon; Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib
Los Gaiteros de San Jacinto (2012) There are male and female versions of the kuisi (or gaita, the Spanish for pipe).The female kuisi bunsi (also rendered kuisi abundjí in Spanish [3]) is also commonly known as a gaita hembra in Spanish, and has 5 holes; the male kuisi sigi (or kuisi azigí [3]) is called a gaita macho in Spanish and has two holes.
The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. [2] In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe.
Like the Irish flute and the tin whistle, the ancient fife is a six-hole simple system flute. These flutes are unable to play all chromatic pitches, while many of the chromatic pitches which they can play are grossly out of tune.
The txistu (Basque pronunciation: [ˈtʃis̺tu]) is a kind of fipple flute that became a symbol for the Basque folk revival. The name may stem from the general Basque word ziztu "to whistle" with palatalisation of the z (cf zalaparta > txalaparta). This three-hole pipe can be played with one hand, leaving the other one free to play a percussion ...
The quena (hispanicized spelling of Quechua qina, [1] sometimes also written kena in English) is the traditional flute of the Andes. Traditionally made of cane or wood, it has 6 finger holes and one thumb hole, and is open on both ends or the bottom is half-closed (choked).